Candid Talks, Nonfiction, Writing

Writers: Don’t Make this Mistake! Avoiding copyright issues through original wording

I remember when my family purchased our first home computer. I spent my evenings getting on the web through dial-up. Back then I would wait for what seemed like eons for websites to load. I was logging-on to chat networks long before instant messaging was a thing. If a family member needed the telephone, it meant logging-off and using the computer without internet—an impossible proposition these days. An offline PC meant playing 3D Pinball while listening to music on my radio.

Photo by Christina Morillo on Pexels.com

The main reason my parents purchased the computer was to enrich my ability to complete homework and so I could learn about the looming technical age first hand. They knew jobs in the future would involve a computer. Pre-Y2K, this preparation meant learning how to touch-type on the keyboard. We didn’t have a fancy typing program. I simply looked for opportunities to practice. Like when you’re learning a language, it’s a good idea to seek out social situations to engage in speaking it.

Once my fingers got used to the keyboard layout, the next challenge was speed. How did I train this? While listening to tunes, I typed out the song lyrics as I heard them. It was fun! The result? I was one of few students in my secondary school who could type over 70 words per minute. My teachers used to say that it was possible to earn a few bucks on the side by typing essays and such. Great prospect—never happened.

Thanks to my parents’ foresight, in the 25 years since then I’ve placed my touch-typing skills toward a range of personal, academic, and professional endeavours. It’s a skill I use daily. Have I continued typing song lyrics? Well, no. Let’s hold on to that thought for a minute.

Continue reading “Writers: Don’t Make this Mistake! Avoiding copyright issues through original wording”
Interviews

Interview with Jordan Blum

Jordan Blum, founder and Editor-in-Chief of The Bookends Review, holds an MFA in fiction and teaches composition at several colleges/universities. He’s published creative and/or scholarly pieces in several magazines, journals, and collections. Beyond that, he’s a former Features Editor at PopMatters and a past or present contributor to Grammy.com, Metal Injection, PROG, Consequence, WhatCulture, Loudwire, The Prog Report, and Kerrang! Finally, his three books (On Track: Jethro Tull, On Track: Opeth, and On Track: Dream Theater), were published by Sonicbond Publishing.

Jordan, you’re the Editor-in-Chief of The Bookends Review. What has been the most surprising thing about managing this online magazine?

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Interviews

Interview with Alyssa Bushell

In this post, we’ll be hearing from Alyssa Bushell, mystery novel author, blogger, and baker. Alyssa is a Canadian writer located at Lake Huron in Southern Ontario. In this interview, Alyssa shares an overview of her story writing process, publication history, and some advice for fellow aspiring writers.

Your fiction has been published in journals such as Reckon Review and LEON Literary Review. How long did it take before you started receiving acceptance letters for your work? And has publication changed how you view your own writing?

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Interviews

Interview with Chris Sadhill

In this post, we’ll be learning about Chris Sadhill, freelance writer, poet, and filmmaker. He tells us about his journey from filmmaking to prose writing and offers important guidance for fellow writers. Chris shares his thoughts on creative drive, authenticity, and promotion strategies.

Chris, after being immersed in the world of visual storytelling, what motivated you to begin writing prose?

Being an indie filmmaker meant I had to be a jack of all trades, especially when I had a small crew, which was often. I was involved in everything. I set up the lighting, tested camera shots, coached onscreen talent about the day’s scenes, occasionally I’d choreograph a fight, and there was always production paperwork, scheduling conflicts, and other aspects that required managing and organization. When I finally announced it was a wrap, the film was only halfway done and I moved into the post-production phase which involved sound design, editing, color grading, and music scoring to finalize the film. Making a film is not pointing and shooting a camera as some may think. It’s a collaboration between many creatives over an extended amount of time. It’s controlled chaos at best, and it’s not for the faint of heart.    

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Candid Talks, Nonfiction, Writing

Five Effective Practices from the Commuter Workforce that I Use as a Freelancer – PART TWO

Freelance writing is a long game. You’ll need to treat each new project with the long-term outcome in mind. When you’re working for yourself, accountability falls on you to organize your work in a productive manner. I have adopted five practices from my experience in the commuter workforce that help me as a freelance writer. In PART ONE of this topic, we covered:

  • Meditative Mornings and Active Afternoons
  • Chunking Non-billable Items

In this post, I’ll discuss:

  • Get Your Team on Board
  • No-Work Zones
  • Keep at it
Continue reading “Five Effective Practices from the Commuter Workforce that I Use as a Freelancer – PART TWO”
Candid Talks, Nonfiction, Writing

Five Effective Practices from the Commuter Workforce that I Use as a Freelancer – PART ONE

In my prior collection of commuter jobs, I saw enough co-workers engaging in workplace shenanigans to know that dressing in business attire or a uniform isn’t quite enough to maintain professionalism. There are facets of human nature that always seep through no matter the front you put on. So why do so many work-from-home articles advise dressing-up just to sit in your own living room?

I have adopted five items from my personal experience in the commuter workforce that help me as a freelance writer. These five things keep my work running smoothly. And, no, it does not involve pulling on pantyhose or having to iron a blouse that no one will see. Let’s be practical.

Here’s my top five:

Continue reading “Five Effective Practices from the Commuter Workforce that I Use as a Freelancer – PART ONE”
Interviews

Interview with Alanna Rusnak

In this post, we’ll be hearing from Alanna Rusnak, Author of The Church in the Wildwood, Owner & Operator of Chicken House Press, and Founder & Managing Editor of Blank Spaces Magazine. Curious in knowing the origins of the beautiful Blank Spaces Magazine? Want some insight into what it takes to branch out on your own in the publishing industry? In this interview, Alanna tells us all about these things plus talks about her current work-in-progress and more!

So, you wear a lot of hats, Alanna. Tell us a bit about your average day or work week.

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