Tag: Canadian writer

Interviews

Interview with Cadence Mandybura

Pauline Shen

In today’s post we’re hearing from Cadence Mandybura, writer and editor located in Victoria, British Columbia. Cadence tells us about her free write practice, describes the writing-for-publication process from her early writing days, and recommends resources for new writers.

Cadence, in addition to being a published writer, you are a contract fiction editor. What drew you to become a professional editor? What insights have you gained from the editor’s seat that emerging Canadian writers should know about publishing?

I’ve loved editing since high school, when I was recruited to help with the school newspaper and started taking the craft of writing seriously. As someone who’s always been drawn to writing, I loved learning how to take a good piece of writing and make it even stronger.

My advice for writers is to understand what type of editing is appropriate for their project and writing stage. For example, a developmental edit will focus on structure and story arc (useful for earlier drafts), whereas copy editing offers granular, sentence-level adjustments (best when the manuscript is almost final). Editors Canada has a good list of terms here. Starting with a critique or manuscript evaluation can help you assess if an editor is a good fit for your work.

Publishers vary in how much editing support they can offer their authors, and most will expect manuscripts to be polished before submission. For book-length projects, it’s often worth it to have your work professionally edited before you start submitting. Grants can help if cost is a barrier.

When you’re editing your own work, don’t try to fix everything in one go. Writing is complicated! Do several passes through your manuscript so you can focus on one element at a time. For example, you could do one pass looking for adjectives you could cut, another pass reading dialogue out loud, another pass reviewing scene transitions, etc.

Finally, be patient with yourself as you move through successive drafts. You’re making progress with every iteration!

Your fictional stories span multiple genres—speculative, science fiction, and fantasy. You also manage to add a dash of humour in places where we’d least expect. What inspires your stories and how do you stay upbeat while working through a writing project?

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Interviews

Interview with T.L. Tomljanovic

Pauline Shen

In this post, we’re hearing from T.L. Tomljanovic, freelance writer and communications specialist located in British Columbia, and member of the Federation of BC Writers. We’ll hear about T.L. Tomljanovic’s writing journey, recent publications, and some advice for new writers on ways to branch out and become part of the larger writing community.

You have a background as a freelance communications consultant, and then you got into writing fiction more recently. How long have you been writing overall and what made you decide to explore fiction?

I’ve been writing professionally for about 20 years. My first paid gig was for a Calgary publisher where I worked as a photo researcher. Outside my usual nine to five, I researched and wrote children’s non-fiction books to spec meaning I had a very clear set of guidelines—word count, reading level, chapter headings, etc. I always wanted to write fiction—I was and still am a voracious reader—but my fear of failure paralyzed. It took the bigger fear of the pandemic lockdown in 2020 to spur me into action. I wrote a story about a goat hunter and Carousel Magazine published it.

Your fictional stories span multiple genres—literary, science fiction, horror, and so on. What inspires your stories and what are your go-to strategies to ensure that you can approach your work-in-progress with enthusiasm?

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Candid Talks, Writing

Why Participate in Writing Contests?

Pauline Shen

You many have noticed that there are a lot of writing contests. You can find lists of upcoming ones in places like Dreamers Magazine or the Funds for Writers website. Some magazines, like Blank Spaces, run a regular quarterly write prompt contest. Many literary journals will simply run a contest for the purpose of fundraising and/or as a method to boost publicity for the volunteer judge(s). There are even third-parties, such as Writing Battle, that specialize in supporting emerging and established writers with very specific prompt-driven, time-limited tournaments.

Each one of these contests is unique in how it handles theme, prompts, judging, awarding “prizes,” and so forth. Entering your work in a writing contest can be beneficial. Depending on the individual contest, you can make great strides by getting involved. Here’s what I mean:

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Candid Talks, Nonfiction, Writing

Purrfect Prose

Pauline Shen

When I began submitting entries for writing contests and felt the sting of rejection, I realised that I needed help with the proofing process of writing. This was an imperative part of the writing-for-publication journey. What it meant was that I had to get more practice—not of writing, but of getting used to someone other than me reading my precious brainchildren. Reading my own work does not necessarily catch incoherencies.

Photo by Monica Silvestre on Pexels.com

As tough as it may be to receive criticism of my work, I learned that it was the surest way toward improvement. After all, writing for publication means that I’m not just doing this for myself. The goal is to reach others. So, my work should be the best and most presentable version—not just what I deem to be good enough.

I’ve decided to share here a tale of the first time I asked for a volunteer proofer to read my composition. It went like this:

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Candid Talks, Nonfiction, Writing

Writers: Don’t Make this Mistake! Avoiding copyright issues through original wording

Pauline Shen

I remember when my family purchased our first home computer. I spent my evenings getting on the web through dial-up. Back then I would wait for what seemed like eons for websites to load. I was logging-on to chat networks long before instant messaging was a thing. If a family member needed the telephone, it meant logging-off and using the computer without internet—an impossible proposition these days. An offline PC meant playing 3D Pinball while listening to music on my radio.

Photo by Christina Morillo on Pexels.com

The main reason my parents purchased the computer was to enrich my ability to complete homework and so I could learn about the looming technical age first hand. They knew jobs in the future would involve a computer. Pre-Y2K, this preparation meant learning how to touch-type on the keyboard. We didn’t have a fancy typing program. I simply looked for opportunities to practice. Like when you’re learning a language, it’s a good idea to seek out social situations to engage in speaking it.

Once my fingers got used to the keyboard layout, the next challenge was speed. How did I train this? While listening to tunes, I typed out the song lyrics as I heard them. It was fun! The result? I was one of few students in my secondary school who could type over 70 words per minute. My teachers used to say that it was possible to earn a few bucks on the side by typing essays and such. Great prospect—never happened.

Thanks to my parents’ foresight, in the 25 years since then I’ve placed my touch-typing skills toward a range of personal, academic, and professional endeavours. It’s a skill I use daily. Have I continued typing song lyrics? Well, no. Let’s hold on to that thought for a minute.

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Interviews

Interview with Alyssa Bushell

Pauline Shen

In this post, we’ll be hearing from Alyssa Bushell, mystery novel author, blogger, and baker. Alyssa is a Canadian writer located at Lake Huron in Southern Ontario. In this interview, Alyssa shares an overview of her story writing process, publication history, and some advice for fellow aspiring writers.

Your fiction has been published in journals such as Reckon Review and LEON Literary Review. How long did it take before you started receiving acceptance letters for your work? And has publication changed how you view your own writing?

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Candid Talks, Nonfiction, Writing

On Time

Pauline Shen

The speech I delivered in eighth grade was all about time. It even included a line from the Alan Parsons song “Time.” I had gotten the idea from helping my teacher referee basketball games. It was my job to hold the stopwatch and call out, “Time!” at the end of each period. It was less pressure than being the score keeper, that’s for sure!

Photo by Digital Buggu on Pexels.com

That memory surfaced while brainstorming ideas for marking time in narrative. The objective is to move away from exact data measurements and dive deeper to reach the reader on an emotional level. This can apply to fiction, but can also be creatively incorporated into memoir. Sometimes using a numerical measurement just does not do enough to convey meaning. I mean, is it a story or a textbook? Yikes!

For example, “He started high school in 1997,” would be an accurate statement but falls flat. If the narrator marks the time with a scene, this same information could be told like:

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