We each thrive dependent on how well we nourish ourselves. But what we choose to nourish ourselves with is a story in and of itself. In Barbara Diggs’s “You Are What You Eat,” the reader witnesses the effect of one narrator’s attempts at mitigating rage by replacing it with love. But which ingredients are required? Diggs pulls the reader in with sensual yet surprising language. “Sunny side up, salmonella-scrambled, salsa-slathered, over-hard yellow-white discs fried in bacon grease until the edges curl like wispy brown lace.”
Continue reading “It’s a Pattern. Commentary on Barbara Diggs’s “You Are What You Eat””Resources & Blog Posts
Interview with T.L. Tomljanovic
In this post, we’re hearing from T.L. Tomljanovic, freelance writer and communications specialist located in British Columbia, and member of the Federation of BC Writers. We’ll hear about T.L. Tomljanovic’s writing journey, recent publications, and some advice for new writers on ways to branch out and become part of the larger writing community.
You have a background as a freelance communications consultant, and then you got into writing fiction more recently. How long have you been writing overall and what made you decide to explore fiction?
I’ve been writing professionally for about 20 years. My first paid gig was for a Calgary publisher where I worked as a photo researcher. Outside my usual nine to five, I researched and wrote children’s non-fiction books to spec meaning I had a very clear set of guidelines—word count, reading level, chapter headings, etc. I always wanted to write fiction—I was and still am a voracious reader—but my fear of failure paralyzed. It took the bigger fear of the pandemic lockdown in 2020 to spur me into action. I wrote a story about a goat hunter and Carousel Magazine published it.
Your fictional stories span multiple genres—literary, science fiction, horror, and so on. What inspires your stories and what are your go-to strategies to ensure that you can approach your work-in-progress with enthusiasm?
Continue reading “Interview with T.L. Tomljanovic”Seasonal Update: What has Pauline Shen been up to? What can we expect to see from her next?
Season Summary: Autumn 2024
- Manawaker Studios Podcast featured my short fiction “Glycerine.” I am so pleased with this production. If you haven’t done so yet, please go take a listen. It is under 10 minutes: Glycerine – Flash Fiction Podcast.
- Three of my visual art pieces, “Nurture,” “Observe,” & “Steward,” are published online with Marathon Literary Review.
- Big news! I’ve been commissioned for a book cover illustration. Scheduled for release in early 2025. More details to come.
Updates & Work in Progress: Winter 2024-25
- Check out my blog in case you missed these awesome interviews. I am delighted to partner with editors, writers, and publishers to bring you an insider scoop on what’s going on in the industry. More to come very soon—make sure you’re subscribed to have these delivered directly to your email inbox.
- I am completing my first full-length manuscript. I’ve been posting periodic updates on social media. The key to avoiding overwhelm is to break everything down into teeny tiny steps—and there are tons of those!
- My Discord writing group is holding a Secret Santa event for December. We each receive a “wish list” of writing prompts from another participant and write a fresh story using those prompts as a gift for that person. Part of the fun is having to guess which writing group member wrote each story. This is my first time participating and it has been so much fun so far! The prompts I received were way outside my usual repertoire and it gave me a chance to stretch myself and my writing. Activities like this help fuel creativity in a big, big way.
What I’m Reading: Winter 2024-25
- I read Piper Kerman’s memoir Orange is the new Black. You may recognize this book’s title from the television series adaptation of the same name. After taking a memoir writing course where Kerman was the guest instructor for a few Zoom sessions, I had to read her book for myself to see what was in there (No, I never watched the TV series). She’s an energetic instructor and the way she explained how to set-up scenes and incorporate deeper levels of storytelling was absolutely brilliant. If you have a chance to participate in one of her writer’s workshops, do it.
- I read William Zinsser’s memoir Writing about Your Life, which also serves as a writer’s guide. Although I personally found some of Zinsser’s references to be an outdated stack of namedropping, he does offer sound writing advice. Keep in mind that the height of his writing career was a half century ago—technology was different, yet the writing process itself (inspiration, motivation, integrity) is relatively the same.
And that’s it. Enjoy winter. Please share your comments below. Stay tuned for my next blog post. Wanna get it in your email inbox? Subscribe to stay informed of my newest articles, story reviews, updates, and more.
Cover Image: Photo by Ameruverse Digital Marketing Media on Pexels.com
Point of no return. Commentary on Brigid Swanick’s “Little White Lies”
What happens when you lean-in to heartache? When you take the bitterness and wrap it around yourself like a cloak? When you harness sadness as a means to grab attention from others rather than explore within for true fulfilment? Brigid Swanick’s “Little White Lies” examines the process and outcome of a character who chooses just that. “Their questions and concerns, their desire to help me,” says our narrator-protagonist, “their intense focus entirely on me made me obsessed, made me visible in a world that was otherwise indifferent.”
Continue reading “Point of no return. Commentary on Brigid Swanick’s “Little White Lies””Interview with Anne Wilkins
In this post, we’ll be hearing from the delightful Anne Wilkins, contest-winning writer of science fiction and horror, based out of New Zealand. Anne shares her experience with writing contests, anthologies, and persisting past letters of decline. Anne also opens up on the personal side of balancing writing with life events, family, and career decisions.
Anne, you’ve got heaps of writing achievements! Multiple contest awards, several runner-up spots and honorable mentions, and an ever-growing list of publications. How long have you been writing and what made you decide to enter competitions?
Oh wow, that’s so kind of you to say because I still very much feel like a beginner. I was that kid that loved creative writing in school, from primary right through to high school, but by the time I got to university there was no time for it. All I ended up doing at university was essays, most of them very boring (Land Law — I’m looking at you). Then fast forward to a career where I was a family lawyer, and I was kind of writing stories, but true ones, in affidavit form.
When I had children, I think I finally had the time and the head space to write creatively again. Most of my beginning stories were written for my children, stories about cats, fairies, witches. I realised how much I missed that creative side of my life — the joy you get from coming up with an idea, and transforming it into a story for someone to read.
Continue reading “Interview with Anne Wilkins”Jam Drop Cookies (A.K.A. The easiest kitchen cupboard recipe, ever!)
Just to be clear, this is not a food blog. It’s a bonus post. I am sharing one of my tried-and-true recipes as a thank you for reading my blog. That is all.
This is my go-to recipe for any occasion. My friends and neighbours love these cookies. I get requests for them, and I even give them out as gifts. The funny part: they’re pretty-much a “kitchen cupboard” recipe. You can get fancy with equipment and decorations or just mix them up by hand and serve as a basic thumbprint cookie. You can substitute, add ingredients, or mix-and-match, and they will still turn out cute and delicious! It’s an excellent beginner recipe. There are only a couple areas where you could go wrong, and I’ll be flagging those as we go along. Let’s jam!
Ingredients:
Continue reading “Jam Drop Cookies (A.K.A. The easiest kitchen cupboard recipe, ever!)”Returning to a Work-in-Progress – How to
One of my university professors used to say that he found it easier and more productive to walk away from an essay while he was mid-sentence with an unfinished paragraph on the page. His logic was that his brain would pick up the exact train of thought that he had been working with in the previous sitting so that his fingers could simply continue typing the remainder of that sentence and paragraph without much hesitation. Now, that may work for essays, but I’m not certain that it applies to writing scenes. I mean, how annoying is it to have your reading interrupted right when there’s a critical junction in the story? Or you’ve just gotten into a movie and the power cuts out? What a letdown! Creative writing is much the same; there’s some kind of bubble that bursts when disruptions occur—including when it comes time to shift attention to a more pressing task. Leaving the comfort of your home office to attend a dental appointment, for example.

Withheld. Commentary on Lisa Ferranti’s “The Eulogy Competition”
Meet our narrator, “I’m the youngest, nicknamed Flaky Suzy.” She’s one of three siblings and has just lost her mother. Someone’s got to write the eulogy. “Three days before her funeral,” we learn, “in an uncharacteristic act of democracy, Dad tells the three of us to decide who will deliver the eulogy.” And so, here we have the portrait of a family, each member with his or her own disposition and traits, and to each a unique set of memories surrounding mom’s life that intersect with family dynamics. Suzy’s narration, however, includes not just her unique take, but a hidden strand of events.
Continue reading “Withheld. Commentary on Lisa Ferranti’s “The Eulogy Competition””Interview with Galen Gower
In this post, we’re hearing from Galen Gower, writer and founder of Toad Shade Zine based in Memphis TN. Galen tells us about his creative process, shares his wisdom on incorporating feedback to develop as a creative writer, and gives us a sneak peek at an upcoming publishing venture.
Galen, you’ve started a Zine! What inspired you to launch the independent magazine, Toad Shade Zine? Tell us how it’s been going so far.
I literally decided I wanted to do a zine, bought the domain, blundered through making the website, and started sharing the submission call all in about three hours. I started out not telling anyone it was me doing it in case I really pet the rabbit with it, but it turned out pretty well.
I mentioned this in the second submission call, but the world really is full of things because people decide to do them and decide not to let fear or common sense stop them. I’ve never let not knowing what I’m doing stop me. Sometimes the results are disastrous, of course, but I’d rather go down swinging, you know?
Continue reading “Interview with Galen Gower”Why Participate in Writing Contests?
You many have noticed that there are a lot of writing contests. You can find lists of upcoming ones in places like Dreamers Magazine or the Funds for Writers website. Some magazines, like Blank Spaces, run a regular quarterly write prompt contest. Many literary journals will simply run a contest for the purpose of fundraising and/or as a method to boost publicity for the volunteer judge(s). There are even third-parties, such as Writing Battle, that specialize in supporting emerging and established writers with very specific prompt-driven, time-limited tournaments.
Each one of these contests is unique in how it handles theme, prompts, judging, awarding “prizes,” and so forth. Entering your work in a writing contest can be beneficial. Depending on the individual contest, you can make great strides by getting involved. Here’s what I mean:
Continue reading “Why Participate in Writing Contests?”

