Resources & Blog Posts

Interviews

Interview with Marianne K. Miller

In this post, we’ll be hearing from author Marianne K. Miller. She tells us about the process of writing her first novel, offers advice for new writers, and hints at a new work in progress! Check out her author bio:

Marianne K. Miller is a graduate of the Creative Writing Program at the University of Toronto. As an independent scholar and member of The Hemingway Society, she presented a paper, Hemingway in Toronto, at the 18th International Hemingway Conference in Paris, France. Her debut novel We Were the Bullfighters is published by Dundurn Press and was just nominated for the Best First Crime Novel Award given by the Crime Writers of Canada. She lives in Toronto.

Marianne, what drove your decision to study creative writing? And has getting published changed how you view your own writing?

I always enjoyed writing. As a lawyer, I wrote letters and pleadings, discovery reports. As an adjudicator and mediator, I wrote orders for a tribunal. Many people ask why are so many lawyers writers? I think that is because lawyers are, at heart, story tellers whether it is on paper or in a court room, their goal is to set out a credible story for the position they are putting forth.  But the idea of not having facts and law to rely on when I was writing kind of frightened me and so that’s why I signed up for a creative writing course. It was a challenge. I was used to a very precise way of writing and I had to loosen up.

How did you first learn about The Hemingway Society? What attracted you to become a member?

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Candid Talks, Writing

Journaling

Photo by Andrea Piacquadio on Pexels.com

Up to now, the longest I’ve maintained a personal journal was when I was ages nine through twelve. At that time, it was a little pocket diary and my entries consisted of one or maybe two phrases. In my adult years, I’ve attempted and abandoned journal writing several times over. When it came to starting one, I usually had an idea of what I wanted to write about, but then my stamina just didn’t click-in. Who wants to waste time sitting with a journal when there’s no shortage of other things to do?

Plus, when it comes to actually writing the journal entry, doesn’t it feel awkward like you’ve been forced to engage one of those wallflower kids at the school dance? Or worse, you’re the wallflower kid getting pulled into conversation? Eeek!

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Candid Talks, Writing

What’s Your Writing Process?

This question popped up on a writer’s forum and the concern was that smaller pieces such as short stories and micro fiction seem to pose much more difficulty for a writer due to their condensed nature. As a writer, what is your process for micro fiction? Do you keep an eye on the word count while drafting, or do you plod ahead with an idea and cut back later? When you’re trimming the piece, how do you know what to chop and what to retain? Isn’t it a struggle to make those decisions?

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Interviews

Interview with Laura Frost

In this post, we’ll be hearing from author and writing contest judge Laura Frost. Check out her author bio:

Photo credit: S.L. @2beinthemoment

Laura Frost is an award-winning author of novels and short stories, and her debut novel, Seeking Sasha, will hit bookshelves this fall. Laura has been published in numerous journals and collections, and she is a returning judge for an international short story competition. An amateur baker and former wildlife biologist from northern Canada, Laura explores the world with her family, seeking out adventure to both calm and stir her writing muse. 

Laura, you’ve been practicing creative writing since childhood but only recently began submitting work for publication consideration. What drove your decision to begin sending manuscripts out? Has getting published changed how you view your own writing?

Although I’ve dabbled in writing my whole life, completing my first novel was the turning point in my writing journey. I hadn’t written my novel with the intent to publish, but both my cousin and my husband read my draft and enjoyed it so much, they begged me to get it published so they could share it with others.

As I quickly learned, getting a book published is no easy feat. Because the publishing industry is so competitive, I decided to write short stories and submit them to literary magazines as a way to build my author portfolio and grow my audience, and I continued to write novels as I worked through the process of submissions. I have now been published in ten different magazines and collections, an accomplishment which has been an important part of my journey towards finding a publisher for my debut novel. 

Having numerous short stories published has allowed me to trust in myself more as a writer, and to not get as discouraged when rejections land in my inbox. I have learned just how subjective the publishing industry is. If one of my stories doesn’t work for a particular publisher, it doesn’t mean it’s bad, it’s just not the right fit for them. Rejections and acceptances have helped me hone my skills as a writer, and they have helped build confidence in myself while also keeping me grounded.

Tell us how your book idea for Seeking Sasha came about. Did you have doubts while working on the draft? Laura, what helped propel you forward to finish the manuscript?

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Candid Talks, Writing

Should You Pay Submission Fees?

If you agree to pay a fee for your work to be considered for publication, how much is too much? Is a couple bucks okay? What about if that “couple bucks” is listed in a foreign currency and so is actually more like five dollars? What if there are added feedback charges, or if the journal presents you with a tip jar option? Does the prospect of paying submission fees motivate you to produce higher quality work? Or do you submit the same work that you’d send a place that doesn’t charge?

So many questions! In this article, I’ll talk about areas where a writer may be asked to fork out cash just for work to be taken into consideration. I’ll also include some tips to help you navigate the submission process without having to pay fees and while being alert for signs of potential scams.

Literary Journals

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Candid Talks

Acknowledgements – Do you read them?

When you read a novel, do you also read the acknowledgements that the author has included with the book? This question has been bouncing around social media, and I have a few points to share on the topic of acknowledgements. Whether you read them or not, there is a purpose behind this part of the book.

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Interviews

Interview with Roz Nay

In this post, we’ll be hearing from author Roz Nay. I hope you are as thrilled as I am about this interview! (See what I did there?) Check out her author bio:

Photo Credit: Lisa Seyfried Photography

ROZ NAY’s debut novel, Our Little Secret, was a national bestseller, won the Douglas Kennedy Prize for best foreign thriller in France, and was nominated for the Kobo Emerging Writer Prize for Mystery and the Arthur Ellis Best First Novel Award. Her second bestselling novel, Hurry Home, was shortlisted for the Crime Writers of Canada Best Crime Novel award and The Hunted, her third, was nominated for Best Crime Novel in 2022. The Offing is her fourth novel. Roz has lived and worked in Africa, Australia, the US, and the UK. She now lives in British Columbia, Canada, with her husband and two children.

More details about Roz and The Offing can be found here.

Roz, your first novel, Our Little Secret, began as a creative writing assignment and grew into a full-length manuscript. Tell us about that process. At what point did you decide to pursue novel writing and what did you learn at those early stages of your writing-for-publication journey?

I only kept going with my first-ever manuscript because I missed writing class, and needed to hang onto some part of it. I just patchworked together a narrative around a voice I’d created in class, and wrote it over a year while my two little toddlers napped. I didn’t really have a clue what I was doing, other than that I’d built a world I was enjoying writing. When I look back now, that time was fairly chaotic but what I learned most was that, when you have a story you want to tell, one way or another you get it done.

Image courtesy of Penguin Random House; Cover design: Emma Dolan

Beginning writers are often told, “write what you know.” For your thriller Hurry Home, the inspiration stemmed from your career in child services. Your newest book, The Offing, draws on your experiences while traveling in Australia. Roz, what does your writing process look like? How much preliminary research is required and at what point do you forge ahead with writing a draft?

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Nonfiction, Writing

Selecting Character Names

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How do you select character names? If you’ve ever wondered this, consider first why you’re asking. It’s not like you have zero ideas of names to choose. Do you have a name in mind that you aren’t confident slapping down on the page? Maybe it’s the name of your childhood friend or a departed relative. Did you think about using a name you heard at school or work and thought it was rather unique but years later you’re unsure if it’s usable? The problem boils down to whether it’s a good fit.

The fit has to do with your character, the plot, and your intended audience. There’s a lot riding on a name, so it’s not just an arbitrary decision. You’re placing a label on a fictional being who represents an archetype, role-model, or possibly a new icon (i.e. Harry _ _ _ _ _ _ ). Which reminds me, you may only need a first name. Depending on your genre and plot, however, you may need to select surnames. And if you’re going for realism, this can be a huge conundrum.

So now that we’ve gotten closer to defining the problem, do I have an answer? Well, not exactly. I have some guidelines that I follow and I’ll offer some anecdotes along the way.

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Interviews

Interview with E.J. Nash

In today’s post, E.J. Nash tells us how she fits her writing into a packed schedule, gives advice to new writers on creating an internet presence, and talks about… Hawaiian pizza! (Hint: it’s writing-related) Check out her author bio:

Photographer Trina Koster

E.J. Nash holds a bachelor’s degree from The University of Western Ontario in Creative Writing and English Language & Literature, and a master’s degree in Information Studies from McGill University. Her work has been published by CBC, The Globe and Mail, Nature, Woman’s World, and in various literary magazines. She is an American-Canadian writer & librarian currently located in Ottawa.

E.J., you write a variety of fiction, non-fiction, and performance pieces. How do you arrange time for writing?

I like to get up early and write as much as I can before work, and I’ll write on my lunch break if the planets align. In the evening my brain has turned into a potato, so that’s when I crash in bed.

Downloading Google Docs on my phone has been a game changer. Most of my writing is done on my phone, and I edit on my computer. Writing on my phone gives me the flexibility to write anywhere! Plus, I’m not scared about losing my documents since they’re all hosted in the cloud.

Do you prefer to read books in e-book or physical book format? What are you reading these days? Which contemporary authors do you recommend checking out?

I read both print books and eBooks. Most of my day is spent in front of a screen, and I can feel my retinas crying for mercy, so it’s nice to look at a print book. On the other hand, some of the books I read are only available as eBooks, so I’m happy to scroll to my heart’s content.

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