Interviews

Interview with T.L. Tomljanovic

In this post, we’re hearing from T.L. Tomljanovic, freelance writer and communications specialist located in British Columbia, and member of the Federation of BC Writers. We’ll hear about T.L. Tomljanovic’s writing journey, recent publications, and some advice for new writers on ways to branch out and become part of the larger writing community.

You have a background as a freelance communications consultant, and then you got into writing fiction more recently. How long have you been writing overall and what made you decide to explore fiction?

I’ve been writing professionally for about 20 years. My first paid gig was for a Calgary publisher where I worked as a photo researcher. Outside my usual nine to five, I researched and wrote children’s non-fiction books to spec meaning I had a very clear set of guidelines—word count, reading level, chapter headings, etc. I always wanted to write fiction—I was and still am a voracious reader—but my fear of failure paralyzed. It took the bigger fear of the pandemic lockdown in 2020 to spur me into action. I wrote a story about a goat hunter and Carousel Magazine published it.

Your fictional stories span multiple genres—literary, science fiction, horror, and so on. What inspires your stories and what are your go-to strategies to ensure that you can approach your work-in-progress with enthusiasm?

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Interviews

Interview with Anne Wilkins

In this post, we’ll be hearing from the delightful Anne Wilkins, contest-winning writer of science fiction and horror, based out of New Zealand. Anne shares her experience with writing contests, anthologies, and persisting past letters of decline. Anne also opens up on the personal side of balancing writing with life events, family, and career decisions.

Anne, you’ve got heaps of writing achievements! Multiple contest awards, several runner-up spots and honorable mentions, and an ever-growing list of publications. How long have you been writing and what made you decide to enter competitions?

Oh wow, that’s so kind of you to say because I still very much feel like a beginner. I was that kid that loved creative writing in school, from primary right through to high school, but by the time I got to university there was no time for it. All I ended up doing at university was essays, most of them very boring (Land Law — I’m looking at you). Then fast forward to a career where I was a family lawyer, and I was kind of writing stories, but true ones, in affidavit form.

When I had children, I think I finally had the time and the head space to write creatively again. Most of my beginning stories were written for my children, stories about cats, fairies, witches. I realised how much I missed that creative side of my life — the joy you get from coming up with an idea, and transforming it into a story for someone to read.

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Interviews

Interview with Galen Gower

In this post, we’re hearing from Galen Gower, writer and founder of Toad Shade Zine based in Memphis TN. Galen tells us about his creative process, shares his wisdom on incorporating feedback to develop as a creative writer, and gives us a sneak peek at an upcoming publishing venture.

Galen, you’ve started a Zine! What inspired you to launch the independent magazine, Toad Shade Zine? Tell us how it’s been going so far.

I literally decided I wanted to do a zine, bought the domain, blundered through making the website, and started sharing the submission call all in about three hours. I started out not telling anyone it was me doing it in case I really pet the rabbit with it, but it turned out pretty well.

I mentioned this in the second submission call, but the world really is full of things because people decide to do them and decide not to let fear or common sense stop them. I’ve never let not knowing what I’m doing stop me. Sometimes the results are disastrous, of course, but I’d rather go down swinging, you know?

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Interviews

Interview with S.A. McNaughton

In this post, we’ll hear from S.A. McNaughton, author of short stories and flash fiction from Ypsilanti, Michigan. McNaughton tells us how she manages her writing schedule, lists the many benefits of participating in writing contests, and tells us about the surprising social aspect of joining a community of writers.

You work a full-time administrative job while raising a preschooler at home. How do you arrange time for writing?

A very good question! It’s not easy, and it’s one of the reasons that I’ve found short fiction competitions to be a good fit for me. Many of them take place over weekends, and my very supportive husband is very good about giving me time to write.

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Interviews

Interview with Seralynn Lewis

In this blog post, we have the pleasure of hearing from Seralynn Lewis, contemporary inspirational romance author, writer of sweet & clean romance, and self-publisher based out of North Carolina. Seralynn gives us a glimpse into the process of writing a series, finding and working with an editor, and navigating the world of self-publishing.

Seralynn, you have multiple books available on Amazon. What has been the most surprising thing about self-publishing?

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Interviews

Interview with Cheryl Kramarczyk

In this post, we’ll be hearing from Cheryl Kramarczyk, Chicago-based romance author, wife & homeschooler mom, and hospital lab tech. Cheryl outlines her motivation for writing romance, tells us how she got into self-publishing, and shares what it’s like to navigate the draft-to-published process.

Cheryl, what motivated you to begin writing romance stories? How did the happy ending become the go-to choice for all your stories?

Romance was a must from the start. My parents divorced when I was twelve and I longed for a happy ending—for my parents and for my sister and me.

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Interviews

Interview with Jordan Blum

Jordan Blum, founder and Editor-in-Chief of The Bookends Review, holds an MFA in fiction and teaches composition at several colleges/universities. He’s published creative and/or scholarly pieces in several magazines, journals, and collections. Beyond that, he’s a former Features Editor at PopMatters and a past or present contributor to Grammy.com, Metal Injection, PROG, Consequence, WhatCulture, Loudwire, The Prog Report, and Kerrang! Finally, his three books (On Track: Jethro Tull, On Track: Opeth, and On Track: Dream Theater), were published by Sonicbond Publishing.

Jordan, you’re the Editor-in-Chief of The Bookends Review. What has been the most surprising thing about managing this online magazine?

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Interviews

Interview with Alyssa Bushell

In this post, we’ll be hearing from Alyssa Bushell, mystery novel author, blogger, and baker. Alyssa is a Canadian writer located at Lake Huron in Southern Ontario. In this interview, Alyssa shares an overview of her story writing process, publication history, and some advice for fellow aspiring writers.

Your fiction has been published in journals such as Reckon Review and LEON Literary Review. How long did it take before you started receiving acceptance letters for your work? And has publication changed how you view your own writing?

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Interviews

Interview with Chris Sadhill

In this post, we’ll be learning about Chris Sadhill, freelance writer, poet, and filmmaker. He tells us about his journey from filmmaking to prose writing and offers important guidance for fellow writers. Chris shares his thoughts on creative drive, authenticity, and promotion strategies.

Chris, after being immersed in the world of visual storytelling, what motivated you to begin writing prose?

Being an indie filmmaker meant I had to be a jack of all trades, especially when I had a small crew, which was often. I was involved in everything. I set up the lighting, tested camera shots, coached onscreen talent about the day’s scenes, occasionally I’d choreograph a fight, and there was always production paperwork, scheduling conflicts, and other aspects that required managing and organization. When I finally announced it was a wrap, the film was only halfway done and I moved into the post-production phase which involved sound design, editing, color grading, and music scoring to finalize the film. Making a film is not pointing and shooting a camera as some may think. It’s a collaboration between many creatives over an extended amount of time. It’s controlled chaos at best, and it’s not for the faint of heart.    

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Interviews

Interview with Max and Teona Bjork

In this post, we’ll be learning more about Max and Teona Bjork, the work they do in managing Writing Battle, and where this writing competition may be headed in the near future. Max Bjork is the Halifax-based creator of Writing Battle and runs it along with Teona Bjork who is a full-time mom and part-time Writing Battle administrator.

There were over 1200 stories in the recent Winter Flash Fiction Battle. What has been the most surprising thing about these tournaments so far?

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