Interviews

Interview with Galen Gower

In this post, we’re hearing from Galen Gower, writer and founder of Toad Shade Zine based in Memphis TN. Galen tells us about his creative process, shares his wisdom on incorporating feedback to develop as a creative writer, and gives us a sneak peek at an upcoming publishing venture.

Galen, you’ve started a Zine! What inspired you to launch the independent magazine, Toad Shade Zine? Tell us how it’s been going so far.

I literally decided I wanted to do a zine, bought the domain, blundered through making the website, and started sharing the submission call all in about three hours. I started out not telling anyone it was me doing it in case I really pet the rabbit with it, but it turned out pretty well.

I mentioned this in the second submission call, but the world really is full of things because people decide to do them and decide not to let fear or common sense stop them. I’ve never let not knowing what I’m doing stop me. Sometimes the results are disastrous, of course, but I’d rather go down swinging, you know?

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Candid Talks, Writing

Why Participate in Writing Contests?

You many have noticed that there are a lot of writing contests. You can find lists of upcoming ones in places like Dreamers Magazine or the Funds for Writers website. Some magazines, like Blank Spaces, run a regular quarterly write prompt contest. Many literary journals will simply run a contest for the purpose of fundraising and/or as a method to boost publicity for the volunteer judge(s). There are even third-parties, such as Writing Battle, that specialize in supporting emerging and established writers with very specific prompt-driven, time-limited tournaments.

Each one of these contests is unique in how it handles theme, prompts, judging, awarding “prizes,” and so forth. Entering your work in a writing contest can be beneficial. Depending on the individual contest, you can make great strides by getting involved. Here’s what I mean:

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Candid Talks, Nonfiction

Three Cures for a Book Hangover

If you’re a reader, then you might have experienced this situation. You’re so entranced by a book’s plot or characters that it draws you in and touches the very depths of your being. You never want this adventure to end, but eventually you finish the final page and close the book with a tear in your eye. “Alas, no other book will live up to this one!” You’ve just developed a book hangover. It’s real.

The thing is, you’ll have to get over it eventually. But it’s such a conundrum. What to read next? How to move forward in the world, le sigh. There’s a plethora of advice out there about book hangovers, and most of it isn’t all that helpful. “Select another book and start reading it.” Duh! But how? So in this post, I’m sharing my top three go-to options to cure a book hangover. Hope it helps.

Here’s my Big Three:

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Story Reviews

Rawr. Commentary on Alison Wassell’s “A Stupid Rubber Dinosaur”

It can all change in the blink of an eye. Or, in this case, with a toy “dinosaur in the middle of the road.” But what changes as the narrator in Alison Wassell’s “A Stupid Rubber Dinosaur” illustrates the story is a matter of perspective. And this narrator tugs the reader into both the incident and the outcome by head and heart.

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Interviews

Interview with S.A. McNaughton

In this post, we’ll hear from S.A. McNaughton, author of short stories and flash fiction from Ypsilanti, Michigan. McNaughton tells us how she manages her writing schedule, lists the many benefits of participating in writing contests, and tells us about the surprising social aspect of joining a community of writers.

You work a full-time administrative job while raising a preschooler at home. How do you arrange time for writing?

A very good question! It’s not easy, and it’s one of the reasons that I’ve found short fiction competitions to be a good fit for me. Many of them take place over weekends, and my very supportive husband is very good about giving me time to write.

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Candid Talks, Nonfiction, Writing

Backing-up Your Writing

Sharing your drafts within a writer’s circle, workshop, or class can be extremely helpful to the evolution of your individual writing project as well as your development as a writer. Getting into the practice of allowing others to read your writing, receiving feedback on projects, and integrating criticisms into your revision process can make for huge progress. I’ve seen writers, however, express concern that whenever a piece of writing gets shared with a group, there’s a chance that someone may be dishonest. What I mean is that there’s a consistent fear among creatives that someone may attempt to steal work.

And I get it—you struggle to finish a draft only to keep it to yourself for the realistic dread that someone out there might be ready to nab it and plagiarize. In one peer-judged writing contest, the organizer tried to alleviate this concern by coding the webpage so that text could not be highlighted (and therefore no copy function could be used). A good attempt, but there are still other possibilities left open and every participant was well aware of that fact.

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Story Reviews

Homemade. Commentary on Vicki Wilson’s “Jelly”

“[T]his was my first time making strawberry jelly,” says our narrator-protagonist. And the measurements need to be just right. Vicki Wilson’s “Jelly” opens with emphasis on deliberate and careful measurement. But as we’ll soon discover, there’s more at stake than making a common spread for toast. “If the jelly set, it was a sign that my mom wasn’t mad at me.” This recipe and its progress from harvested ingredients to set jelly is the metaphorical vehicle by which the reader is transported through generations in this family—past, present, and… future.

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Candid Talks, Nonfiction

Cleaning Eyewear – How to

Photo by Sam Lion on Pexels.com

When I first developed mild myopia at 19, my optometrist commented that I study too much. He explained that having my eyes flexed to focus on text for prolonged periods of time had hardened my lenses to the point that they lost the ability to perform for distance. I’m not certain if this is true. But it was the beginning of my wearing glasses. And a consistent pain that continues to this day is keeping them clean.

Whether you wear glasses “just for driving,” or, “to think straight,” or (my favourite) “because contacts are icky,” at some point you’ve struggled with specks, streaks, and smudges. You’re supposed to be able to see out of those lenses, so it’s imperative to keep them clean. But how? It’s a constant battle. I’m no expert but I do wear glasses for most of the day. What’s more, I have oily skin. In this post I’ll share with you my top three go-to methods for reducing the frustration and keeping those glasses spotless.

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Candid Talks, Nonfiction, Writing

Purrfect Prose

When I began submitting entries for writing contests and felt the sting of rejection, I realised that I needed help with the proofing process of writing. This was an imperative part of the writing-for-publication journey. What it meant was that I had to get more practice—not of writing, but of getting used to someone other than me reading my precious brainchildren. Reading my own work does not necessarily catch incoherencies.

Photo by Monica Silvestre on Pexels.com

As tough as it may be to receive criticism of my work, I learned that it was the surest way toward improvement. After all, writing for publication means that I’m not just doing this for myself. The goal is to reach others. So, my work should be the best and most presentable version—not just what I deem to be good enough.

I’ve decided to share here a tale of the first time I asked for a volunteer proofer to read my composition. It went like this:

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