Candid Talks, Writing

Giving Feedback

How much criticism is too much to give a writer? Is there such a thing?

This question always comes up in writer’s forums, particularly for those who are participating in a writing contest involving peer feedback. How do you go about offering an anonymous critique to an unknown writer for a piece that was written and submitted within a time crunch? Do you take it easy and focus on positives? Or should you comb through it and scrutinize every possible aspect? If a happy medium exists, is it fair to aim for that?

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Candid Talks, Writing

What’s Your Writing Process?

This question popped up on a writer’s forum and the concern was that smaller pieces such as short stories and micro fiction seem to pose much more difficulty for a writer due to their condensed nature. As a writer, what is your process for micro fiction? Do you keep an eye on the word count while drafting, or do you plod ahead with an idea and cut back later? When you’re trimming the piece, how do you know what to chop and what to retain? Isn’t it a struggle to make those decisions?

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Candid Talks, Writing

Should You Pay Submission Fees?

If you agree to pay a fee for your work to be considered for publication, how much is too much? Is a couple bucks okay? What about if that “couple bucks” is listed in a foreign currency and so is actually more like five dollars? What if there are added feedback charges, or if the journal presents you with a tip jar option? Does the prospect of paying submission fees motivate you to produce higher quality work? Or do you submit the same work that you’d send a place that doesn’t charge?

So many questions! In this article, I’ll talk about areas where a writer may be asked to fork out cash just for work to be taken into consideration. I’ll also include some tips to help you navigate the submission process without having to pay fees and while being alert for signs of potential scams.

Literary Journals

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Candid Talks, Writing

What’s the point …of Submitting to Literary Journals?

I saw this question on a discussion forum some time ago, and thought it was a good one. The person who posed it was just starting out as a writer and unsure about navigating all the different publication outlets. Should a writer invest time and resources in short stories and micro fiction for the purpose of submitting to journals? Is this a wise choice for a writer whose ultimate goal is to finish a novel? Can you make a living from submitting smaller works of fiction? What, really, is the point of having your work appear in those little journals anyways? Why not just go for the full manuscript from the beginning and skip all the rest?

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Candid Talks, Writing

Why Participate in Writing Contests?

You many have noticed that there are a lot of writing contests. You can find lists of upcoming ones in places like Dreamers Magazine or the Funds for Writers website. Some magazines, like Blank Spaces, run a regular quarterly write prompt contest. Many literary journals will simply run a contest for the purpose of fundraising and/or as a method to boost publicity for the volunteer judge(s). There are even third-parties, such as Writing Battle, that specialize in supporting emerging and established writers with very specific prompt-driven, time-limited tournaments.

Each one of these contests is unique in how it handles theme, prompts, judging, awarding “prizes,” and so forth. Entering your work in a writing contest can be beneficial. Depending on the individual contest, you can make great strides by getting involved. Here’s what I mean:

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Interviews

Interview with Cheryl Kramarczyk

In this post, we’ll be hearing from Cheryl Kramarczyk, Chicago-based romance author, wife & homeschooler mom, and hospital lab tech. Cheryl outlines her motivation for writing romance, tells us how she got into self-publishing, and shares what it’s like to navigate the draft-to-published process.

Cheryl, what motivated you to begin writing romance stories? How did the happy ending become the go-to choice for all your stories?

Romance was a must from the start. My parents divorced when I was twelve and I longed for a happy ending—for my parents and for my sister and me.

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Interviews

Interview with Chris Sadhill

In this post, we’ll be learning about Chris Sadhill, freelance writer, poet, and filmmaker. He tells us about his journey from filmmaking to prose writing and offers important guidance for fellow writers. Chris shares his thoughts on creative drive, authenticity, and promotion strategies.

Chris, after being immersed in the world of visual storytelling, what motivated you to begin writing prose?

Being an indie filmmaker meant I had to be a jack of all trades, especially when I had a small crew, which was often. I was involved in everything. I set up the lighting, tested camera shots, coached onscreen talent about the day’s scenes, occasionally I’d choreograph a fight, and there was always production paperwork, scheduling conflicts, and other aspects that required managing and organization. When I finally announced it was a wrap, the film was only halfway done and I moved into the post-production phase which involved sound design, editing, color grading, and music scoring to finalize the film. Making a film is not pointing and shooting a camera as some may think. It’s a collaboration between many creatives over an extended amount of time. It’s controlled chaos at best, and it’s not for the faint of heart.    

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