Story Reviews

Gone. Commentary on J. Paul Ross’s “A Hundred and Twenty-Seven”

As J. Paul Ross’s story “A Hundred and Twenty-Seven” unfolds, our narrator paints a picture. At first, this is a very narrow perspective. As the story goes on, however, this picture becomes clearer and fuller. It begins with our protagonist, Derrick Crosby, who, “was following 127 people online, and all of them were women.” The narrative then proceeds in a casual and languid manner that mimics the action of scrolling through a social media newsfeed.

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Interviews

Interview with Cheryl Kramarczyk

In this post, we’ll be hearing from Cheryl Kramarczyk, Chicago-based romance author, wife & homeschooler mom, and hospital lab tech. Cheryl outlines her motivation for writing romance, tells us how she got into self-publishing, and shares what it’s like to navigate the draft-to-published process.

Cheryl, what motivated you to begin writing romance stories? How did the happy ending become the go-to choice for all your stories?

Romance was a must from the start. My parents divorced when I was twelve and I longed for a happy ending—for my parents and for my sister and me.

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Candid Talks, Nonfiction, Writing

Writers: Don’t Make this Mistake! Avoiding copyright issues through original wording

I remember when my family purchased our first home computer. I spent my evenings getting on the web through dial-up. Back then I would wait for what seemed like eons for websites to load. I was logging-on to chat networks long before instant messaging was a thing. If a family member needed the telephone, it meant logging-off and using the computer without internet—an impossible proposition these days. An offline PC meant playing 3D Pinball while listening to music on my radio.

Photo by Christina Morillo on Pexels.com

The main reason my parents purchased the computer was to enrich my ability to complete homework and so I could learn about the looming technical age first hand. They knew jobs in the future would involve a computer. Pre-Y2K, this preparation meant learning how to touch-type on the keyboard. We didn’t have a fancy typing program. I simply looked for opportunities to practice. Like when you’re learning a language, it’s a good idea to seek out social situations to engage in speaking it.

Once my fingers got used to the keyboard layout, the next challenge was speed. How did I train this? While listening to tunes, I typed out the song lyrics as I heard them. It was fun! The result? I was one of few students in my secondary school who could type over 70 words per minute. My teachers used to say that it was possible to earn a few bucks on the side by typing essays and such. Great prospect—never happened.

Thanks to my parents’ foresight, in the 25 years since then I’ve placed my touch-typing skills toward a range of personal, academic, and professional endeavours. It’s a skill I use daily. Have I continued typing song lyrics? Well, no. Let’s hold on to that thought for a minute.

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Story Reviews

Following the Crowd. Commentary on Lisa Shimotakahara’s “The Year of 13”

When you’re a self-conscious teenager and the world seems poised against you, what’s the most expedient way to become “cool?” Turn the heat on someone else, of course. Don’t stand out—join the crowd. In “The Year of 13,” Lisa Shimotakahara’s protagonist narrator does just that. It’s a two-step method, though, as we’ll discover.

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Story Reviews

New Perspective. Commentary on Elana Shira Segal’s “Ole”

Where do we find meaning? Is it contained in the objects we keep? Or perhaps it appears in the repeated rituals of our lives. Maybe it’s buried with the memory of a person. Or, well, isn’t it in the nature of the relationship with that person instead? In her short fiction, “Ole,” writer Elana Shira Segal explores these questions and more. Perhaps there’s no secret at all—we’ve known the truth all along. We just need a reminder from an unexpected source.

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Interviews

Interview with Jordan Blum

Jordan Blum, founder and Editor-in-Chief of The Bookends Review, holds an MFA in fiction and teaches composition at several colleges/universities. He’s published creative and/or scholarly pieces in several magazines, journals, and collections. Beyond that, he’s a former Features Editor at PopMatters and a past or present contributor to Grammy.com, Metal Injection, PROG, Consequence, WhatCulture, Loudwire, The Prog Report, and Kerrang! Finally, his three books (On Track: Jethro Tull, On Track: Opeth, and On Track: Dream Theater), were published by Sonicbond Publishing.

Jordan, you’re the Editor-in-Chief of The Bookends Review. What has been the most surprising thing about managing this online magazine?

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Candid Talks, Nonfiction

Negotiating Photography for Headshots and Marketing – How to

Previously, I posted a two-part series giving tips for writers who want to look their best for a headshot. In Tips for a Successful Photography Session, I discussed how to prepare for your sitting, what to bring with you, and how to ensure that you photograph well. In this post, I’ll cover selecting and booking a photographer.

You can negotiate to get high-quality headshots without having to pay a hefty fee. It’s not about being cheap; it’s about navigating a thrifty choice. An emerging writer still needs to take care of the promotion and business side of things. Paying thousands for a studio photoshoot? Unthinkable! Let’s talk about it.

Selecting a Photographer

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Story Reviews

What you seek… Commentary on Allison Kelly’s “Exit”

Meet Sunday, a woman who seems to have her life in order. Or perhaps there’s too much order. “To outsiders, her life seemed golden. On the inside, though, she was feeling more and more like one of those insects preserved in warm yellow amber and hung on museum walls…” and so Sunday embarks on a search for meaning, for contact, for something—anything.

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Interviews

Interview with Alyssa Bushell

In this post, we’ll be hearing from Alyssa Bushell, mystery novel author, blogger, and baker. Alyssa is a Canadian writer located at Lake Huron in Southern Ontario. In this interview, Alyssa shares an overview of her story writing process, publication history, and some advice for fellow aspiring writers.

Your fiction has been published in journals such as Reckon Review and LEON Literary Review. How long did it take before you started receiving acceptance letters for your work? And has publication changed how you view your own writing?

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