Resources & Blog Posts

Candid Talks, Nonfiction, Writing

Backing-up Your Writing

Pauline Shen

Sharing your drafts within a writer’s circle, workshop, or class can be extremely helpful to the evolution of your individual writing project as well as your development as a writer. Getting into the practice of allowing others to read your writing, receiving feedback on projects, and integrating criticisms into your revision process can make for huge progress. I’ve seen writers, however, express concern that whenever a piece of writing gets shared with a group, there’s a chance that someone may be dishonest. What I mean is that there’s a consistent fear among creatives that someone may attempt to steal work.

And I get it—you struggle to finish a draft only to keep it to yourself for the realistic dread that someone out there might be ready to nab it and plagiarize. In one peer-judged writing contest, the organizer tried to alleviate this concern by coding the webpage so that text could not be highlighted (and therefore no copy function could be used). A good attempt, but there are still other possibilities left open and every participant was well aware of that fact.

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Story Reviews

Homemade. Commentary on Vicki Wilson’s “Jelly”

Pauline Shen

“[T]his was my first time making strawberry jelly,” says our narrator-protagonist. And the measurements need to be just right. Vicki Wilson’s “Jelly” opens with emphasis on deliberate and careful measurement. But as we’ll soon discover, there’s more at stake than making a common spread for toast. “If the jelly set, it was a sign that my mom wasn’t mad at me.” This recipe and its progress from harvested ingredients to set jelly is the metaphorical vehicle by which the reader is transported through generations in this family—past, present, and… future.

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Candid Talks, Nonfiction

Cleaning Eyewear – How to

Pauline Shen
Photo by Sam Lion on Pexels.com

When I first developed mild myopia at 19, my optometrist commented that I study too much. He explained that having my eyes flexed to focus on text for prolonged periods of time had hardened my lenses to the point that they lost the ability to perform for distance. I’m not certain if this is true. But it was the beginning of my wearing glasses. And a consistent pain that continues to this day is keeping them clean.

Whether you wear glasses “just for driving,” or, “to think straight,” or (my favourite) “because contacts are icky,” at some point you’ve struggled with specks, streaks, and smudges. You’re supposed to be able to see out of those lenses, so it’s imperative to keep them clean. But how? It’s a constant battle. I’m no expert but I do wear glasses for most of the day. What’s more, I have oily skin. In this post I’ll share with you my top three go-to methods for reducing the frustration and keeping those glasses spotless.

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Candid Talks, Nonfiction, Writing

Purrfect Prose

Pauline Shen

When I began submitting entries for writing contests and felt the sting of rejection, I realised that I needed help with the proofing process of writing. This was an imperative part of the writing-for-publication journey. What it meant was that I had to get more practice—not of writing, but of getting used to someone other than me reading my precious brainchildren. Reading my own work does not necessarily catch incoherencies.

Photo by Monica Silvestre on Pexels.com

As tough as it may be to receive criticism of my work, I learned that it was the surest way toward improvement. After all, writing for publication means that I’m not just doing this for myself. The goal is to reach others. So, my work should be the best and most presentable version—not just what I deem to be good enough.

I’ve decided to share here a tale of the first time I asked for a volunteer proofer to read my composition. It went like this:

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Story Reviews

Gone. Commentary on J. Paul Ross’s “A Hundred and Twenty-Seven”

Pauline Shen

As J. Paul Ross’s story “A Hundred and Twenty-Seven” unfolds, our narrator paints a picture. At first, this is a very narrow perspective. As the story goes on, however, this picture becomes clearer and fuller. It begins with our protagonist, Derrick Crosby, who, “was following 127 people online, and all of them were women.” The narrative then proceeds in a casual and languid manner that mimics the action of scrolling through a social media newsfeed.

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Interviews

Interview with Cheryl Kramarczyk

Pauline Shen

In this post, we’ll be hearing from Cheryl Kramarczyk, Chicago-based romance author, wife & homeschooler mom, and hospital lab tech. Cheryl outlines her motivation for writing romance, tells us how she got into self-publishing, and shares what it’s like to navigate the draft-to-published process.

Cheryl, what motivated you to begin writing romance stories? How did the happy ending become the go-to choice for all your stories?

Romance was a must from the start. My parents divorced when I was twelve and I longed for a happy ending—for my parents and for my sister and me.

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Candid Talks, Nonfiction, Writing

Writers: Don’t Make this Mistake! Avoiding copyright issues through original wording

Pauline Shen

I remember when my family purchased our first home computer. I spent my evenings getting on the web through dial-up. Back then I would wait for what seemed like eons for websites to load. I was logging-on to chat networks long before instant messaging was a thing. If a family member needed the telephone, it meant logging-off and using the computer without internet—an impossible proposition these days. An offline PC meant playing 3D Pinball while listening to music on my radio.

Photo by Christina Morillo on Pexels.com

The main reason my parents purchased the computer was to enrich my ability to complete homework and so I could learn about the looming technical age first hand. They knew jobs in the future would involve a computer. Pre-Y2K, this preparation meant learning how to touch-type on the keyboard. We didn’t have a fancy typing program. I simply looked for opportunities to practice. Like when you’re learning a language, it’s a good idea to seek out social situations to engage in speaking it.

Once my fingers got used to the keyboard layout, the next challenge was speed. How did I train this? While listening to tunes, I typed out the song lyrics as I heard them. It was fun! The result? I was one of few students in my secondary school who could type over 70 words per minute. My teachers used to say that it was possible to earn a few bucks on the side by typing essays and such. Great prospect—never happened.

Thanks to my parents’ foresight, in the 25 years since then I’ve placed my touch-typing skills toward a range of personal, academic, and professional endeavours. It’s a skill I use daily. Have I continued typing song lyrics? Well, no. Let’s hold on to that thought for a minute.

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Story Reviews

Following the Crowd. Commentary on Lisa Shimotakahara’s “The Year of 13”

Pauline Shen

When you’re a self-conscious teenager and the world seems poised against you, what’s the most expedient way to become “cool?” Turn the heat on someone else, of course. Don’t stand out—join the crowd. In “The Year of 13,” Lisa Shimotakahara’s protagonist narrator does just that. It’s a two-step method, though, as we’ll discover.

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Story Reviews

New Perspective. Commentary on Elana Shira Segal’s “Ole”

Pauline Shen

Where do we find meaning? Is it contained in the objects we keep? Or perhaps it appears in the repeated rituals of our lives. Maybe it’s buried with the memory of a person. Or, well, isn’t it in the nature of the relationship with that person instead? In her short fiction, “Ole,” writer Elana Shira Segal explores these questions and more. Perhaps there’s no secret at all—we’ve known the truth all along. We just need a reminder from an unexpected source.

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Interviews

Interview with Jordan Blum

Pauline Shen

Jordan Blum, founder and Editor-in-Chief of The Bookends Review, holds an MFA in fiction and teaches composition at several colleges/universities. He’s published creative and/or scholarly pieces in several magazines, journals, and collections. Beyond that, he’s a former Features Editor at PopMatters and a past or present contributor to Grammy.com, Metal Injection, PROG, Consequence, WhatCulture, Loudwire, The Prog Report, and Kerrang! Finally, his three books (On Track: Jethro Tull, On Track: Opeth, and On Track: Dream Theater), were published by Sonicbond Publishing.

Jordan, you’re the Editor-in-Chief of The Bookends Review. What has been the most surprising thing about managing this online magazine?

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