Category: Writing

Candid Talks, Writing

Why Participate in Writing Contests?

Pauline Shen

You many have noticed that there are a lot of writing contests. You can find lists of upcoming ones in places like Dreamers Magazine or the Funds for Writers website. Some magazines, like Blank Spaces, run a regular quarterly write prompt contest. Many literary journals will simply run a contest for the purpose of fundraising and/or as a method to boost publicity for the volunteer judge(s). There are even third-parties, such as Writing Battle, that specialize in supporting emerging and established writers with very specific prompt-driven, time-limited tournaments.

Each one of these contests is unique in how it handles theme, prompts, judging, awarding “prizes,” and so forth. Entering your work in a writing contest can be beneficial. Depending on the individual contest, you can make great strides by getting involved. Here’s what I mean:

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Candid Talks, Nonfiction, Writing

Backing-up Your Writing

Pauline Shen

Sharing your drafts within a writer’s circle, workshop, or class can be extremely helpful to the evolution of your individual writing project as well as your development as a writer. Getting into the practice of allowing others to read your writing, receiving feedback on projects, and integrating criticisms into your revision process can make for huge progress. I’ve seen writers, however, express concern that whenever a piece of writing gets shared with a group, there’s a chance that someone may be dishonest. What I mean is that there’s a consistent fear among creatives that someone may attempt to steal work.

And I get it—you struggle to finish a draft only to keep it to yourself for the realistic dread that someone out there might be ready to nab it and plagiarize. In one peer-judged writing contest, the organizer tried to alleviate this concern by coding the webpage so that text could not be highlighted (and therefore no copy function could be used). A good attempt, but there are still other possibilities left open and every participant was well aware of that fact.

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Candid Talks, Nonfiction, Writing

Purrfect Prose

Pauline Shen

When I began submitting entries for writing contests and felt the sting of rejection, I realised that I needed help with the proofing process of writing. This was an imperative part of the writing-for-publication journey. What it meant was that I had to get more practice—not of writing, but of getting used to someone other than me reading my precious brainchildren. Reading my own work does not necessarily catch incoherencies.

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As tough as it may be to receive criticism of my work, I learned that it was the surest way toward improvement. After all, writing for publication means that I’m not just doing this for myself. The goal is to reach others. So, my work should be the best and most presentable version—not just what I deem to be good enough.

I’ve decided to share here a tale of the first time I asked for a volunteer proofer to read my composition. It went like this:

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Candid Talks, Nonfiction, Writing

Writers: Don’t Make this Mistake! Avoiding copyright issues through original wording

Pauline Shen

I remember when my family purchased our first home computer. I spent my evenings getting on the web through dial-up. Back then I would wait for what seemed like eons for websites to load. I was logging-on to chat networks long before instant messaging was a thing. If a family member needed the telephone, it meant logging-off and using the computer without internet—an impossible proposition these days. An offline PC meant playing 3D Pinball while listening to music on my radio.

Photo by Christina Morillo on Pexels.com

The main reason my parents purchased the computer was to enrich my ability to complete homework and so I could learn about the looming technical age first hand. They knew jobs in the future would involve a computer. Pre-Y2K, this preparation meant learning how to touch-type on the keyboard. We didn’t have a fancy typing program. I simply looked for opportunities to practice. Like when you’re learning a language, it’s a good idea to seek out social situations to engage in speaking it.

Once my fingers got used to the keyboard layout, the next challenge was speed. How did I train this? While listening to tunes, I typed out the song lyrics as I heard them. It was fun! The result? I was one of few students in my secondary school who could type over 70 words per minute. My teachers used to say that it was possible to earn a few bucks on the side by typing essays and such. Great prospect—never happened.

Thanks to my parents’ foresight, in the 25 years since then I’ve placed my touch-typing skills toward a range of personal, academic, and professional endeavours. It’s a skill I use daily. Have I continued typing song lyrics? Well, no. Let’s hold on to that thought for a minute.

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Candid Talks, Nonfiction, Writing

On Time

Pauline Shen

The speech I delivered in eighth grade was all about time. It even included a line from the Alan Parsons song “Time.” I had gotten the idea from helping my teacher referee basketball games. It was my job to hold the stopwatch and call out, “Time!” at the end of each period. It was less pressure than being the score keeper, that’s for sure!

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That memory surfaced while brainstorming ideas for marking time in narrative. The objective is to move away from exact data measurements and dive deeper to reach the reader on an emotional level. This can apply to fiction, but can also be creatively incorporated into memoir. Sometimes using a numerical measurement just does not do enough to convey meaning. I mean, is it a story or a textbook? Yikes!

For example, “He started high school in 1997,” would be an accurate statement but falls flat. If the narrator marks the time with a scene, this same information could be told like:

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Candid Talks, Nonfiction, Writing

Five Effective Practices from the Commuter Workforce that I Use as a Freelancer – PART TWO

Pauline Shen

Freelance writing is a long game. You’ll need to treat each new project with the long-term outcome in mind. When you’re working for yourself, accountability falls on you to organize your work in a productive manner. I have adopted five practices from my experience in the commuter workforce that help me as a freelance writer. In PART ONE of this topic, we covered:

  • Meditative Mornings and Active Afternoons
  • Chunking Non-billable Items

In this post, I’ll discuss:

  • Get Your Team on Board
  • No-Work Zones
  • Keep at it
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Candid Talks, Nonfiction, Writing

Five Effective Practices from the Commuter Workforce that I Use as a Freelancer – PART ONE

Pauline Shen

In my prior collection of commuter jobs, I saw enough co-workers engaging in workplace shenanigans to know that dressing in business attire or a uniform isn’t quite enough to maintain professionalism. There are facets of human nature that always seep through no matter the front you put on. So why do so many work-from-home articles advise dressing-up just to sit in your own living room?

I have adopted five items from my personal experience in the commuter workforce that help me as a freelance writer. These five things keep my work running smoothly. And, no, it does not involve pulling on pantyhose or having to iron a blouse that no one will see. Let’s be practical.

Here’s my top five:

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