Nonfiction, Writing

Selecting Character Names

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How do you select character names? If you’ve ever wondered this, consider first why you’re asking. It’s not like you have zero ideas of names to choose. Do you have a name in mind that you aren’t confident slapping down on the page? Maybe it’s the name of your childhood friend or a departed relative. Did you think about using a name you heard at school or work and thought it was rather unique but years later you’re unsure if it’s usable? The problem boils down to whether it’s a good fit.

The fit has to do with your character, the plot, and your intended audience. There’s a lot riding on a name, so it’s not just an arbitrary decision. You’re placing a label on a fictional being who represents an archetype, role-model, or possibly a new icon (i.e. Harry _ _ _ _ _ _ ). Which reminds me, you may only need a first name. Depending on your genre and plot, however, you may need to select surnames. And if you’re going for realism, this can be a huge conundrum.

So now that we’ve gotten closer to defining the problem, do I have an answer? Well, not exactly. I have some guidelines that I follow and I’ll offer some anecdotes along the way.

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Candid Talks, Nonfiction

Three Cures for a Book Hangover

If you’re a reader, then you might have experienced this situation. You’re so entranced by a book’s plot or characters that it draws you in and touches the very depths of your being. You never want this adventure to end, but eventually you finish the final page and close the book with a tear in your eye. “Alas, no other book will live up to this one!” You’ve just developed a book hangover. It’s real.

The thing is, you’ll have to get over it eventually. But it’s such a conundrum. What to read next? How to move forward in the world, le sigh. There’s a plethora of advice out there about book hangovers, and most of it isn’t all that helpful. “Select another book and start reading it.” Duh! But how? So in this post, I’m sharing my top three go-to options to cure a book hangover. Hope it helps.

Here’s my Big Three:

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Story Reviews

Home is a Lifetime Away. Commentary on Taylor Thornburg’s “Come On, Come On, Come On”

Meet Jonah, an elderly man who decides to take a stroll, sit on a park bench, and then make his way home. But what is home, anyways? Is it something clearly defined? How do you know when you’ve recognized it? In Taylor Thornburg’s “Come On, Come On, Come On,” when is the key word indeed. Jonah searches, “…in the windows. They reflected an unfamiliar figure. Jonah had white hair and a crooked posture. His reflection had thick brown hair and stood upright. Bewildered, Jonah did not notice his reflection.” Juxtaposition signals a tangle of memories that flood Jonah’s mind and pull the reader’s attention in multiple directions.

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Story Reviews

It’s Not About the Guardrail. Commentary on Desiree Nippard’s “An Early Thaw”

In Desiree Nippard’s “An Early Thaw,” the reader witnesses a group of schoolchildren sending lanterns into the sky while playing a send-off tune on recorders. In this ceremony for the deceased, “[y]ou could hear every pause for breath, every off note from the shifting of small fingers as we all allowed the melody to seep into our souls.” (54) This coastal town is grieving, and the narrator reveals the cause with deep sensory descriptions that guide the reader with the right amount of grace and gentleness.

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