Nonfiction, Writing

Selecting Character Names

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How do you select character names? If you’ve ever wondered this, consider first why you’re asking. It’s not like you have zero ideas of names to choose. Do you have a name in mind that you aren’t confident slapping down on the page? Maybe it’s the name of your childhood friend or a departed relative. Did you think about using a name you heard at school or work and thought it was rather unique but years later you’re unsure if it’s usable? The problem boils down to whether it’s a good fit.

The fit has to do with your character, the plot, and your intended audience. There’s a lot riding on a name, so it’s not just an arbitrary decision. You’re placing a label on a fictional being who represents an archetype, role-model, or possibly a new icon (i.e. Harry _ _ _ _ _ _ ). Which reminds me, you may only need a first name. Depending on your genre and plot, however, you may need to select surnames. And if you’re going for realism, this can be a huge conundrum.

So now that we’ve gotten closer to defining the problem, do I have an answer? Well, not exactly. I have some guidelines that I follow and I’ll offer some anecdotes along the way.

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Story Reviews

Point of no return. Commentary on Brigid Swanick’s “Little White Lies”

What happens when you lean-in to heartache? When you take the bitterness and wrap it around yourself like a cloak? When you harness sadness as a means to grab attention from others rather than explore within for true fulfilment? Brigid Swanick’s “Little White Lies” examines the process and outcome of a character who chooses just that. “Their questions and concerns, their desire to help me,” says our narrator-protagonist, “their intense focus entirely on me made me obsessed, made me visible in a world that was otherwise indifferent.”

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