We each thrive dependent on how well we nourish ourselves. But what we choose to nourish ourselves with is a story in and of itself. In Barbara Diggs’s “You Are What You Eat,” the reader witnesses the effect of one narrator’s attempts at mitigating rage by replacing it with love. But which ingredients are required? Diggs pulls the reader in with sensual yet surprising language. “Sunny side up, salmonella-scrambled, salsa-slathered, over-hard yellow-white discs fried in bacon grease until the edges curl like wispy brown lace.”
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Desensitization. Commentary on Deron Eckert’s “The Spaceman”
How to tell an audience about a horrific encounter? Do it with a nonchalant-style narrative that drops details before the reader like loose change. In Deron Eckert’s “The Spaceman,” the first-person narrative does just that, “Everyone makes a big to-do about me, like I’m in shock or something…” With such a light touch on a heavy subject, Eckert draws the scene out to its fullest capacity, pulling the reader in without hesitation.
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